Keith Haring: A World in Motion
Tracing a global dialogue from New York to the world
New York, May 14, 2026 — 60 White presents Keith Haring: A World in Motion, curated by Carlo McCormick in collaboration with Lio Malca. Spanning multiple floors of the Tribeca space, the exhibition offers a focused exploration of Haring’s practice as a global exchange — tracing how he translated the energy of downtown New York into a visual language that continues to resonate across cultures and generations.
“Keith Haring’s work is rooted in New York, but it belongs to the world,” says Malca. “This exhibition highlights his ability to connect people through a shared visual language that remains as immediate and powerful today as it was in the 1980s.”
Haring’s practice was defined by movement. From New York to Berlin, Pisa, Venice, Tokyo, San Francisco, Paris, Milan, Amsterdam, Basel, Vienna, Kingston, Johannesburg, and Rio de Janeiro, his work moved fluidly across geographies, shaped by youth culture, music, and shared experience. The exhibition foregrounds key works created in New York, Tokyo, Paris, Milan, and San Francisco — from the Sister Cities project between New York and Tokyo (1985) to the Paris Metro drawing at Alma–Marceau (1984) and the DV8 mural in San Francisco (1986). Each reflects a cross‑cultural encounter while remaining unmistakably Haring.
At the center of the exhibition is a recreation of the DV8 nightclub, capturing the convergence of art, music, performance, and nightlife that shaped Haring’s world. Like his subway interventions, the installation underscores his commitment to accessibility and collective experience.
Carlo McCormick emphasizes: “Haring did not simply travel the world, he entered into dialogue with it. His work pulses with the energy of New York street culture while reflecting the histories, images, and rhythms of the places he encountered. The result is a global conversation, joyful, immediate, and profoundly connected.”
Always in motion, Haring’s practice extended across the streets, subways, and clubs of New York, alongside projects in Europe and Asia. Collaborations with Andy Warhol, Bill T. Jones, Arnie Zane, and exhibitions with Tony Shafrazi framed his work within the downtown art scene. Nightlife spaces like Paradise Garage — where he famously painted Grace Jones’ body for a performance — captured the same kinetic energy that defines his oeuvre.
In the 1980s, Haring chose the New York subway as his primary site, creating chalk drawings on black paper that transformed the underground into an active exhibition space. Circulating alongside boomboxes, breakdancing, and the music of the city, these works embodied his belief that art should be immediate, rhythmic, and accessible.
About 60 White
60 White, Lio Malca’s multistory Tribeca space, was originally built in 1869 and reimagined by studioMDA. It forms part of Malca’s global ecosystem, alongside Fundación La Nave Salinas in Ibiza, Casa Malca in Tulum, and The Art Lodge in Sian Ka’an. Following its 2024 exhibition of Kenny Scharf, 60 White now honors Haring — a natural connection, as Scharf and Haring were contemporaries who shared the cultural landscape of 1980s New York.
📞 Inquiries: Zara Hoffman | 516‑652‑4197 🌐 Visit: sixtywhite.com | Instagram: @sixtywhite
